Music Production - The number of Layers is way too Much?
In terms of layering tracks and beats, it sometimes can be extremely challenging to know when to stop. We can easily keep layering and dumping more to the same tracks until we're satisfied, but can it sound okay to everybody? In the following paragraphs we're basically gonna discuss the best way to know when enough is sufficient.
To begin with, the amount of layers and instruments needed might be deduced into this: when you have gotten your way, it should be a fun time to avoid. Which is wise talk. A famous mixing engineer once said: if you fail to see it, it should not maintain this mixture. And I think we have to really live and eat this saying. Another thing I regularly tell clients is: when it adds nothing unique on the song, should it need to have there? The weakest component of a track could be the track. Which means that the very last thing you add could bring the entire thing down unless it's absolutely magnificent sonically and emotionally.
Simple and easy plain music can be very attractive. In addition, it pushes you to make better music. It makes you treat each track like it was the only track from the song. Hell, maybe it is! That ought to be your mindset.
At the end of the day, however big you would like to make your track is up to you. Always pay attention to your audience, though, consider getting feedback and search it over closely and without any anger should it be negative. Simply take it in and think about what exactly made. When you get outright positive feedback, then you already know you are going inside the right direction.
Some instruments stack much better than others, as well. Let us take the piano by way of example. You'll in no case desire to stack 2 pianos playing exactly the same notes, and in many cases playing different notes, it's going to be difficult to stack these harmonically. When they sound precisely the same, it will be quite challenging.
However, some artists have tried having two pianos playing simultaneously; they only be sure they have different character and are generally distinguishable. If you're going to attempt this, apply some reverb to at least one piano to achieve the far-away and close-up effect. The listener will hear one off within the distance and another very close. To restore more realistic, apply about 5% of the reverb for the close piano and judge a hall patch. On your audience it'll appear to be both pianos have been in the identical environment.